Summer: Queen start recording the album at various locations in Switzerland, England and West Germany.
Monday 4th November: 'One Vision' / 'Blurred Vision' released in Britain.
Friday 7th: Highlander, the film, premieres in America.
Monday 17th: Queen release two different singles simultaneously for EMI and Capitol, respectively. 'A Dozen Red Roses for My Darling' is the B-Side on both; the A-Sides are 'A Kind of Magic' (EMI) and 'Princes of the Universe' (Capitol).
Sunday 1st:A Kind of Magic, the album, has had at least 300,000 pre-orders in the UK, simultaneously earning it Silver, Gold and Platinum certifications despite not yet having been released.
Tuesday 3rd: The album is released in Britain.
Saturday 14th: The Official Charts Company reveals A Kind of Magic was the best-selling album of the week in Britain, replacing Peter Gabriel's So on top of the charts; one week later, it's replaced by Genesis' Invisible Touch.
Friday 29th:Highlander, the film, premieres in Britain.
Wednesday 1st:A Kind of Magic is certified Double Platinum in the UK for having sold 600,000 copies in that territory.
Friday 15th November: The album is certified Gold in the USA for having (finally) sold half a million copies in that territory.
Documented Recording Venues:
EMI Studios on 3 Abbey Road, St John's Wood, City of Westminster, Greater London NW8 9AY, England.
Maison Rouge Studio on 2 Wansdown Place, Fulham Broadway, Royal Borough of Hammersmith & Fulham, Greater London SW6 1DN, England.
Mountain Studios in the Casino Barrière on 9 Theatre Road, Montreux, Vaud 1820, Swiss Confederation.
Musicland Studios in the Arabella House basement, Munich, Bavaria 81925, Federal Republic of Germany.
Sarm West Studios on 8 - 10 Basing Street, Notting Hill, Royal Borough of Kensington & Chelsea, Greater London W11 1ET, England.
The Town House on 150 Goldhawk Road, Shepherd's Bush, Royal Borough of Hammersmith & Fulham, Greater London W12 8EN, England.
John Deacon: Electric bass, electric guitars, analogue and digital synthesisers, drum computer.
Brian May: Lead and backing vocals, acoustic and electric guitars, analogue and digital synthesisers, drum computer.
Frederick Mercury: Lead and backing vocals, acoustic piano, analogue and digital synthesisers, drum computer.
Roger Taylor: Backing vocals, acoustic and electronic drums, electric guitar, analogue and digital synthesisers, drum computer.
Joan Armatrading: Incidental vocals.
Philip Edney: Analogue and digital synthesisers.
Stephen Gregory: Alto saxophone.
National Philharmonic Orchestra:
Michael Kamen: Conductor.
Sidney Sax: Leader.
Deputy Producers / Chief Engineers:
Reinhold Mack: 'One Vision' and songs penned by John and/or Frederick.
David Richards: Tracks penned by Brian and Roger.
Stephan Wissnet: Musicland.
Peter Freestone: Equipment supervision.
Christopher Taylor: Equipment supervision.
Brian Zellis: Equipment supervision.
Bösendorfer (Unknown Model): Town House.
Sauter Upright: Musicland.
Steinway B 6' 10": Mountain.
Steinway (Unknown Model): Town House.
Yamaha C-7 7' 5": Musicland.
1955 Masterbuilt: Possibly a spare, but perhaps used somewhere.
196?: John had two, which may have been his main ones.
1981 Special: Possibly a spare, but perhaps used somewhere.
1983 Elite: 'One Vision', and possibly other tracks as well.
Giffin Bespoke: Possibly a spare, but perhaps used somewhere.
Kramer DMZ: Most likely merely a spare, but could've also been used somewhere.
Music Man Stingray: Possibly a spare, but perhaps used somewhere.
Warwick Buzzard: Possibly a spare, but perhaps used somewhere.
BHM Bespoke: Brian's main, also used by Roger on the title track.
Fender Stratocaster: John's.
Fender Telecaster: John's.
Guild BHM: Brian's spare.
E-mu Emulator II+.
Roland Jupiter 8.
Ludwig Bespoke Acoustic Drums: Roger's main kits (he had several of them).
Studer A-80 24-Track Analogue: Musicland, Town House, Mountain.
Harrison 4832: Musicland.
Neve 8048: Mountain.
SSL 4000-E: Town House.
AKG (Various Models).
C-12: Sometimes used for vocals at Mountain.
C-414: Reportedly, this was the main microphone used for Frederick's vocals at both Musicland and Mountain.
Beyerdynamic (Unknown Models).
Electrovoice RE-20: Bass-drum at Mountain.
Neumann (Various Models).
Schoeps CK-1: Sometimes used for vocals.
Sennheiser (Various Models).
Shure (Unknown Models).
Sony (Various Models).
AKG Echo Chambers: Musicland.
Audio Kinetics Synchroniser: Musicland.
Cadac Monitors: Musicland.
dbx 266-XL Limiter: Town House.
EMT 140 Plate Reverb: Musicland, Town House.
Eventide DDL-1745 Delay: Town House.
Lexicon 224-XL Delay: Town House.
Linn 9000 Drum Computer.
MXR M-175 Delay: Town House.
Scott TC-2440 Equaliser: Musicland.
UREI LA-2A Limiter: Town House.
Myths, Legends & Ongoing Debates:
'Heaven for Everyone': It's a bit frequent for websites or blogs or tweets or YT comments to claim 'Heaven for Everyone' was written for this album. As far as it's been documented, it wasn't: Roger wrote it a few months after the album'd been finished, released and toured. He initially offered it to Joan Armatrading, who rejected it, and then he recorded it himself (with guest musicians Philip Edney, Erdal Kizilcay and Frederick Mercury) before releasing two different versions of it as part of The Cross.