He just said, “Look, I've got this very strange thing, you're gonna have to be very patient when we do it, ‘cause there'll be a lot of gaps and stuff.” As soon as, really, we'd mapped it out, we all sort of understood what was happening, but it was a bit confusing at first. I remember the first time I heard the melody, the main sort of melody, I loved the melody. Freddie was a great person to be in a band with, really, because he was such a great rhythmic piano player, and it sort of made the backing tracks really easy to do. We would sort of knit it together and it sort of swam well. We were sort of getting off on how far could we take this, and how big could we make those harmonies, and make a wall of sound, we were sort of quite interested in seeing how far you could actually go before it became totally ridiculous or the limits of the technology stopped you.